Back in the saddle, after a forced hiatus.
Caroni 20yo 1997/2018 (60.6%, Cadenhead, Wood Cask, 18/359): "matured in wood," the label reads. No kidding! That trumps even their legendary "matured in an oak cask." Nose: immensely sweet at first, it has cane sugar by the wheelbarrow, cake sticky with melted sugar, and some syrup or another. Soon enough, rubber appears too, latex... Dare I say 'condoms'? It comes back to sweetness, with cough drops and crystallised pineapple chunks, as well as Demerara sugar. The second nose has blackcurrant sweets and dark, heavy tobacco tickling dried cherry stems. Mouth: it is a Caroni alright! Despite a blatant display of Demerara sugar, the palate struggles to push back on hydrocarbon. Kerosene, tar, chewy tyres. It has a whisp of liquorice too, augmented with camphor or menthol. The second sip is borderline sickly sweet; it injects dried cherry stems and mounds of sugar, crystallised into sweets, and elevated with a droplet of blackcurrant flavouring. Finish: long, big, not huge, the finish has notes of kerosene and Demerara sugar again. That turns into a vaguely biscuit-y air. UZ Sint-Rafael, in Leuven, had a hall in which decades of enclosed air, medicinal vapours (and cigarette smoke, probably) had impregnated the carpet and the wallpaper so deeply that the whole room smelled of stale biscuit. It was disgusting. This reminds me of that, and I find it strangely endearing. The second gulp is a little less niche; it focuses on blackcurrant sweets (with too much sugar). This is surprisingly easy to drink, especially for a Caroni. It is not a petrol bomb as so many are, far from it. In fact, it is a bit too sweet to drink in large quantities. 7/10 (Thanks for the dram, OB)
Caroni 20yo 1997/2018 (61.9%, Thompson Bros., 337b): it seems very similar to the Cadenhead bottling, with Demerara sugar, a drop of kerosene and sweets. This one, however, has black bun too, a raisin-y mix soaked in booze. It only takes a moment to unleash more Demerara sugar than anyone would know what to do with. That paves the way for dark-tobacco smoke, wine-soaked orange rinds, and mulch. After a few minutes and careful analysis, one detects more petrol -- a blend of kerosene and cold coffee, still doused in Demerara sugar. The second nose is bolder and assails the nostrils with heated blackcurrant-flavoured chewy sweets and melted cuberdons. Mouth: surprisingly soft, it masks its power with a pronounced sweetness, even if it takes but minute chewing to unveil mocha chocolate pudding. The texture is gelatinous, which is original, and the sweetness of Demerara sugar sticks to the teeth. If Mokatine were chewy, this would be very close to it. The strength is felt a little more after a couple of minutes on the tongue, which, in a way, reassures one that one's taste buds are still working. The second sip has a cup of coffee laced with pressed berries (blueberries, blackcurrants, dried cherries) and a pinch of mocha grounds on a hot zinc plate, which makes for a desiccating mouthfeel. Finish: it slaps on the way down and continues what the nose and palate started, which is to say it is hugely sweet to counter the bitterness of mocha. It has an infinitesimal amount of kerosene that is easily overshadowed by chewy and hard blackcurrant sweets. The second gulp cranks up the berries (dried cranberries, dried cherries, blackcurrants) and adds a pyramidal heap of Demerara sugar on a dusty metal plate. The sugar is so old it is forming clusters. It is scary how easy this is to drink, at this ungodly strength. In terms of quality, it is in the same playing field as the Cadenhead bottling, yet I might prefer this one. 7/10 (Thanks for the dram, OB)
We have time for one more? Eh! why not?
George T. Stagg 17yo 1993/2010 (69.05%, OB Barrel Proof): nose: fairly mute at first. Perhaps it has some wood, not much else. In all likelihood, it is the alcohol that smothers the other aromas. Given time, toffee shows its face, and that opens the way for more-assertive notes too: furniture polish, wood patina, dark honey and smoke from burning very-dry branches covered in lichen. We may find boot polish too, in the distant background. The second nose insists on blackcurrant jam, simmering in the pot, and adds sticky toffee pudding with a hot cranberry sauce. Later on, overripe and bruised fruits appear -- berries, grapes, apricots. Mouth: it takes a couple of seconds for the ABV to show its true power, so stunned the gob is, then the heat becomes truly perceptible. Minor chewing reinforces that feeling. We have blackcurrant-flavoured cough drops, thuja bark, eucalyptus, aniseed, black cumin. The second sip is drying and showcases currants in all their natural splendour: on one hand, they are ripe and juicy; on the other, some are not as ripe and are bitter as the vine they grew on. Chewing makes it desiccating, yet keeps it fruity too -- quite the feat! Finish: boom! It is, of course, immense, if not quite as terrifying as the ABV may have threatened. It has black cumin seeds, nigella seeds, black sesame seeds, some tar and frankly-extractive notes. It is not plank-y at all, yet there is no denying it has taken on whatever the cask had to give, including bark and mulch. On the welcoming side, it also has sticky toffee pudding (especially the edges that touched the tin mould and that turned crispy as a result), rubber and, well, a radiating heat that becomes obvious a couple of minutes after swallowing and will not let go. The second gulp has a bitter lick, vine or leaves from a fruit bush. It is also never-ending. It is akin to piping-hot berries jam served in a wooden bowl. 7/10 (Thanks for the dram, OB)